Cosmic Trigger 4 “is” you


Robert Anton Wilson imparted a useful and intriguing “blueprint” analogy for dealing with tricky matters of “reality”, “truth” and “fact” that we encounter in the “infinite ‘patanormal’ continuum of experience” (ie everyday life).

This seems hyper-relevant to me at the moment – specifically in light of the new media’s reality-fabricating and viral-disseminating abilities (which make previous notions of misinformation seem quaint).

The Mgt.-summary

In opposition to an “absolutist”, “explains all” view of science, RAW presents his “perspectivist” position on scientific (and other) maps as probabilistic and relative to context. Some folks (Wilson critiques them) see perspectivism as a slippery slope to “anything goes” chaos and nihilism. But some of the thinkers that RAW admired (eg Karl Popper) also expressed anxieties about that latter “slope” trajectory. It seems another iteration of an ages-old philosophical debate that solidified with a grand Cartesian Either/Or – what Richard Bernstein characterised as “objectivism vs relativism”. Wilson takes a relativist position, but his versatile multi-model, mixed-genre approach escapes, or “transcends”, the meta-Either/Or – his blueprint analogy seems a good example of this.

Present-day relevance? Well, the “socials” seem flooded with all-or-nothing assertions: “media’s a big lie”, “whole system’s corrupt”, “it’s all fucked why bother”, etc. I tend to dismiss these as expressions of the essentialist-nihilist dichotomy (more on this below) – an aspect of the Grand Either/Or that RAW wanted to avoid (particularly in contexts that attempt to accurately describe things and events, eg science and journalism). Perhaps such assertions have a place in, say, guerilla stand-up comedy. Mostly I think they function regressively.

New media reality fabricating/viralising churns up “impossible” issues of accuracy and differentiation. Accurate to what? By whose criteria? (RAW used “accuracy” as a main criterion for evaluating scientific models, btw). Much of the new-media “red pilled” content I come across looks to me like variations on the above all-or-nothing mentality, or Platonist essentialism in disguise. A reading of the subtleties of RAW’s philosophical approach might… maybe might… inject a sub-atomic wave of sanity into things on the fringes (in a more optimistic world)?

Okay, back to the main content…

Blueprint vs perspective

It starts with an architect’s plan view, which, as emblem for an “absolutist” or “objective” representation of things, gets contrasted with perspective views. The floor plan, or “blueprint”, as RAW calls it, refers to an abstracted downwards schematic:

(This is from Wilson’s CT3 critique of Higher Superstition, by Gross & Levitt, a book that presents itself as a shredding of postmodern views of science. Bob W. argues that the authors treat science like their “One True Faith”).

In RAW’s analogy, the blueprint also represents the “scientific outlook” that many folks hold sacrosanct. Some might even regard it as always “standing above” other perspectives, like a kind of universal referee of POVs. Bob comments:

But before any anti-science (or anti-“mainstream”) people get too carried away, he continues:

So, context seems important – we probably knew that already! We don’t need to regard blueprints as authorised by a mythical “reality as it really is” in order for them to function as intended. In the “special context” it makes sense to treat a metaphorical blueprint as more reliable than another “perspective”, even though we see the distinction as “merely” semantic, conceptual, socially-constructed, etc.

Of perspective views, RAW notes that they all have a kind of truth – “true” to experience/perception. And, “In ordinary contexts, your subjective perspective has more to tell you about how to avoid bumps, headaches, sudden shocks, falls, charges of sexual harassment and broken arms.” The blueprint has a different find of truth, but “never occurs in actual human experience” (RAW, ibid.).

Duh, “narratives”

Even if we don’t have an immediate purpose for shifting to “the absolutist or blueprint position”, we depend on all manner of things whose creation defined such a purpose (electronics being an example that RAW liked to cite, because it relies on the spooky quantum blueprint). Consider all the realms where we require relatively “objective” reference, eg a kind of factual, socially verifiable truth – science, “news” journalism, medicine, legal systems, road safety, food labelling, environmental poisoning by Koch Industries, etc. We don’t dispense with established “epistemological” game rules (eg of fact-checking) just because we recognise these social coding conventions have no absolute grounding anywhere.

The blueprint idea serves as a useful reminder when folks get too smug about “narratives”. The arrogance can go either way. RAW critiques that of Gross and Levitt in dismissing reality-tunnel perspectivism as a pathway to “nihilism”. But he also avoids the postmodern smugness of those who dismiss science as mainstream authority narrative: “I don’t want it to seem that I stand at the opposite side of an either/or debate with Gross and Levitt” (RAW, ibid.).

Brain & nervous system?

Naturally RAW doesn’t provide a final, “metaphysical” blueprint. He generally uses a scientifically informed view of the brain and nervous system as perceiver/co-creator of our experiences/views (models, metaphors, etc). Even in the radical last chapter of Cosmic Trigger III, which unmasks, or deconstructs, “material” “things” and every-“thing” else, he lands on “brain and nervous system” as the subject side of a perceiver-perceived dichotomy. That seems to serve as the main useful blueprint in his (and also Tim Leary’s) books.

Maybe the “brain and nervous system” as blueprint (or “final vocabulary”) has led some to declare Bob’s work as somehow “not really spiritual”, or over-materialistic? That seems misconceived to me, given passages like the following in his Cosmic Trigger series and elsewhere (not to mention his polemic against fundamentalist materialism, The New Inquisition):

When Wilson deconstructs material “things” (eg his “chair” examples – see Wilson’s chair), I feel pretty sure he doesn’t forget that these deconstructions apply also to material “brains” and “nerves”! And that we lack a “direct” experiential perspective of our brains functioning as our perceiver-thinker selves in daily life. (Direct? See Douglas Harding’s exercises on having no head). The blueprint (abstraction/inference) of our brain/NS-selves that RAW mostly runs with doesn’t form an Idolatry, to put it in his terms. No blueprints do, if we’re to retain sanity.

Cartesian Anxiety. Fnord

To digress a little (not much), Richard Bernstein coined the phrase, “Cartesian Anxiety”, to refer to our need for firm ground (in a conceptual, metaphorical sense) – something “solid”, certain, dependable to stand on. We don’t want to build our realities on shifting sand! Descartes articulated this anxiety in his Meditations, when he talks of the desire to establish “a firm and abiding superstructure in the sciences”. Bernstein comments:

Bernstein doesn’t take sides in the Either/Or (which he characterises as “objectivism” versus “relativism”). Instead, like Wilson, he identifies the either/or itself as the problem, and wants to evade or “transcend” it by re-framing the practice of philosophy (cf: RAW’s multi-tone/context field- and genre-spanning “praxis”. Also, Bob says it’s the postmodern artists he identifies with, more than the academic postmodernist theorists).

To give an inept micro-lecture: Western philosophies have sought the metaphorical underpinning of “reality as it really is”, going back to ancient Greece, and they disagreed primarily on what “it” “is” in essence. “Is” “it” material substance, ideal form, God’s mind, spooky sub-atomic particles/energies, the necessities of logic, what…? Whatever “it” “is” exists (in this “metaphysical realist” vocabulary) inherently, objectively – ie independent of our perceptions, conceptions and descriptions of “it”.

Then comes along the “dialectical” tradition, in which we can include RAW, among the anti-foundationalist, anti-essentialist, anti-metaphysical, perspectivist, pragmatist, sceptical (etc) thinkers. Sorry about the big words. In some sense, and to some degree, they question “realist” assumptions of philosophy as providing a representation, or “mirror”, of nature.

Despite (or because of) this latter revolution in thought, we can’t seem to shake off the Cartesian Anxiety. It haunts us like the “cunning demon” that Descartes supposed could deceive us about the true nature of “external things” (like a forerunner of The Matrix). Given this background, it maybe shouldn’t surprise us that folks like Robert Shea mistook RAW’s philosophy for solipsism (Wilson explained that “transactionalism is not the solipsist pole of the Aristotelian-solipsist either/or but is a third alternative.” He goes on to say that the fact that some people don’t get this shows “the extent to which the Aristotelian dualism still controls Western thought.”).

Essentialist / nihilist

The “all-or-nothing” stuff that I mentioned (flooding social media) appears to say something like this: “Media and government (etc) narratives don’t speak the essential, unfiltered truth. We should therefore reject them all as equally worthless”, etc.

(What some people call “bothsidesism” or “whataboutism” seems related to this. John Oliver, the comedian, characterises the latter as the implication that “all actions, regardless of context, share a moral equivalency, and since nobody is perfect, all criticism is hypocritical and everybody should do whatever they want”.)

This frequently goes downhill into a kind of nihilism – the flipside of an essentialist belief in things existing in a fixed observer-independent way (and available unfiltered, as it were, to contrast with mere models/narratives). Since essential, unfiltered truth never becomes available, it all seems pointless and false – to this style of mentation. RAW saw “essentialism” as a neurolinguistic habit “that [Joyce] wanted to undermine”, and which “Korzybski claimed invades our brains and causes hallucinations or delusions every time we use the word ‘is’.” (TSOG, 2002 ed. p85)

A flexible take on “blueprint” truths, as RAW presents them (ie claims made “authoritatively” in a given context) would tend to work against that kind of nihilism – or might do in a more optimistic world (to repeat myself).

Buddhist “two truths”

(As always, the Buddhists had something interesting to say about all this centuries ago!)

Nihilism as a flipside to a kind of essentialism or objectivism naturally also seemed like a hazard to students of “emptiness” Buddhism (Mādhyamaka tradition – I’m no expert, don’t quote me!). The Tsongkhapa-type Buddhist antidote to nihilism recommended compassion together with a “two truths” teaching that distinguishes between “conventional” and “ultimate” truths, This bears comparison with RAW’s observations on blueprints, perspectives and absolutes.

In Tsongkhapa’s time (1357–1419) “conventional truths” no doubt comprised a limited set of Buddhist teachings and ideas about everyday life. These days, “conventional truth” covers the gamut of ways we encode our functioning in the world: the various maps, masks, models, muddles, narratives, glosses, gestalts, games, frames, figments, fantasies, Pookahs, paradigms, etc. This would include the different ways we distinguish conventional “truth” from “falsity” in various fields.

“Ultimate truth”, on the other hand, recognises the “emptiness” of conventional truths (ie their non-“essential” constructed, mapped nature). But it also realizes that we have no truths except conventional truths – our idea of ultimate truth (and “emptiness”) counts as conventional truth.

That makes it silly to reject conventional truths (narratives) as lacking “real” truth. Embracing convention also helps with compassion – you don’t have to take it literally for it to work!

Cosmic Trigger 4 “is” you

The blueprint + perspective analogy possibly hasn’t been picked up much, as it forms the first part of a chapter that mostly gets taken up with RAW’s defense of Leary, Velikovsky and Rupert Sheldrake (against criticisms/insults from Gross and Levitt). But for me it stands out as a shortcut for thinking about complex matters of “truth” versus “falsity” (etc) in contexts where convention and “authority” (of some sort) necessarily play a part – and where “anything” doesn’t go, at least if we don’t want to see people get harmed!

Wilson remarks (using Einstein’s metaphor) that we don’t extract the essence of things/events to form our models. The relation between supposed things and our images “of” them doesn’t resemble that of beef and beef-broth. Neither does it resemble the relation of a photograph of Chartres cathedral to a supposed “objectively” existent Chartres cathedral. RAW writes that what occurs in perception and thought resembles more (not “is”) “the assigned (arbitrary) connection between our hat and the ticket we receive when we check the hat.” (RAW, CT3, ch37, his brackets). We have a blueprint for that, as well.


13 thoughts on “Cosmic Trigger 4 “is” you

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  1. I could have gone on and on with these themes, but it’s a blog post – pixel shortage & limited reader attention, etc. I hope the cut-off point for the writing leaves it coherent enough.

    Chartres serves as fairly arbitrary illustration for the themes here, but RAW mentions it in the ‘F For Fake’ context (in the CT3 chapter on his friend Don’s death):

    “I still agree with a speech Orson Welles makes toward the end of F For Fake, in which he reflects that all art, by Picasso or by Elmyr, by the anonymous masons of Chartres Cathedral or by Homer, will eventually get lost in chaos and perish in “the universal ash.
    “But Orson intones the eternal rebuttal in that marvelous baritone he used for his more oratorical moments: ‘What of it?’, cry the dead artists from their tombs, ‘Go on singing!'”
    (RAW, CT3, ch18)

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  2. I enjoyed this new posting. A few comments:

    Robert Shea described himself as a “materialist,” so he certainly had a different perspective from RAW. But I don’t think Shea was a “fundamentalist materiallist,” either. We’d have a much better idea of how they discussed their exact differences if the extensive correspondence between RAW and Shea had survived (I hope it is somewhere and will turn up.) It drives me crazy that it’s missing, but I’ve never been able to find any leads.

    I liked John Oliver’s definition of whataboutism. We have had a pretty good lesson in it the last couple of months. Joe Biden did not always follow the law, did not always respect the U.S. Constitution, did not always tell the exact truth, and it’s legitimate to criticize Biden for all of that, and I did, but man, there’s just no comparison with Trump’s lawlessness and dishonesty.

    You kind of had me at Cosmic Trigger 4 — I wondered how you would be using that. CT 1 is kind of a favorite for many people, CT 2 is a personal favorite of mine that I re-read every few years. Your post reminds me that I need to do a CT 3 re-read when I can get to it.

    I love the art you create to go with your blog posts. If I ever suddenly become wealthy I will hire you as art director for my blog.

    People, don’t forget that if you like this blog, you get additional RAW content (and other content) following RAW Semantics on Bluesky.

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    1. Tom – thanks for your kind and thoughtful comment. Totally agree with you on the Shea/Wilson correspondence. They seemed very different in many ways, and given the long-term friendship, that would have surely led to some extremely interesting back-and-forth, with neither holding back. Hopefully the other correspondence (the shoebox full of Wilson/Kurt Smith letters) will see the light of day at some point. Shea seems like a very interesting person in his own right, but I don’t know as much about him (as about RAW). I find your blog a great source on that.

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  3. Ha, it’s still March 22 here in the U.S., I didn’t even realize I was leaving a comment dated March 23!

    WordPress is really making it hard to leave a comment, I really had to struggle to get the previous comment posted.

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    1. I don’t know what it is with WordPress, but I’ve had a few other people having difficulties. In theory it should be easy, as the minimum of info is required to post a comment (just any email, and any name – no logging in anywhere is needed).

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  4. “Bob says it’s the postmodern artists he identifies with, more than the academic postmodernist theorists”

    I think you are unto something by bringing this up. Where the academic only deconstructs, the artist have fun recombining together different parts that were not originally together (think collages, remixes). We see this both in RAW’s fiction work, (for instance Illuminatus! being a fantastic mish-mash of 60s counter-culture, hard-boiled detective story, conspiracies, western magick etc), and in his non-fiction (he would always bring up a dazzling array of thinkers and ideas, and attempt to arrange them somehow synergistically).

    I tend to think that, in fact, Bob Wilson was already paving the way for metamodernism. That is, instead of just recombining different parts randomly ‘for the lulz’, one does so purposefully and intentionally. When applied to our perception of ‘reality’ through the 8C model, Leary talked of “hedonistic engineering”. I have seen Oz Fritz, a sound engineer, compare the 8C model with a mixing board where you can adjust how high or low in the mix a circuit is going to be. Other tweaks are possible on a mixing station, such as panning left or right, adjusting bass or treble etc. One may also think of a homemade modular synthesizer, where cables can be rearranged in near-infinite permutations.

    I think that those who criticize RAW’s relativism/agnosticism for being little more than a sollipsistic slippery slope leading to nihilism fail to see that Bob Wilson was inviting us to go beyond and have fun with it. ‘Who is the master who makes the grass green?’, ‘we are all greater artists than we realize’, ‘I try every week to create for myself a more fun and enjoyable reality-tunnel than the previous one’ and so forth and so on…

    I do think that Illuminatus! does not go this far, because it only creates confusion in the reader, and leave it to hir to derive any grand meaning from it (in this way, I find the book closer to Finnegans Wake than to Ulysses). But Illuminatus! is 50 years old, and was part of Operation Mindfuck. Operation Mindfix is now necessary to make it through the chapel perilous of a post-truth world. Interestingly, most politicians exploiting the scary state of utter confusion tend to do so with a very reactionnary agenda in mind (‘to make america great AGAIN’, ie as it used to be in the past), not at all by presenting us with a new ideal to work toward. They need to keep people paranoid and lost. But after solve must come coagula, or the experience simply fails.

    Thank you for this great blog post, Brian.

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    1. I really like your observation on that creative-artistic exuberant fun aspect and beyond, Spookah. I recall RAW commenting that if all else failed (in terms of getting his important insights across, etc) at least he wanted people to have fun reading his books. And outside traditional academic-style commentary, in something more like hedonistic Dada/postmodern art/Samizdat mashup, etc, it seemed like a pretty major re-framing of the practice of “philosophy” – definitely seems like one way Wilson transcended the meta-Either/Ors and conceptual dilemmas/constraints of the old philosophy “game”.
      Also agree with you that this positive-creative fun aspect of Bob’s output seems to effortlessly takes readers beyond the nihilistic-trap thing (I certainly found his books so uplifting that it enabled me to think in coherent new ways).

      (Sorry about the WordPress thing – obviously some problems with it for some)

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  5. Good comments, Spookah, but I can’t agree that Illuminatus! “only creates confusion in the reader,” as Wilson and Shea both are trying to teach the reader the libertarian political philosophy. I do think the multiple viewpoints on the book capture the business of trying to make sense of what’s going on in the world, which for me makes the work more relevant than ever for modern times.

    I think you are capturing something when you write about Wilson/Shea “recombining together different parts that were not originally together.” I’m particularly struck by how Illuminatus! combines both “high culture” and “pop culture,” i.e there are references to modernist writers such as James Joyce and William Faulkner but also to H.P, Lovecraft, who at the end of the day was a “pulp” popular fiction writer.

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    1. I guess that was unprecise, sloppy writing on my part. Indeed, Illuminatus does much more than ‘just creating confusion’. I find it a very fun experiment in model agnosticism and guerilla ontology. But, as engrossing an acid-drenched, 70s counter-culture take on Joyce’s concept of the chaosmos I think the book is, as a tool to teach its audience how to navigate a complex, multi-perspective modern world, I doubt its efficiency for first time readers. I believe RAW himself recommended to read other books from him first, before coming to Illuminatus.

      I was using this book to try and illustrate my view that, although indeed Illuminatus! seems to describe well the post-truth world of the 2020s, it might not be the best guide for finding a way out of it. Some ill-intentioned political players appear to be using to their advantage the idea that ‘nothing is true, everything is permitted’, which I feel is more or less where Illuminatus! stands (for ex: did the world really got saved from a nazi zombie invasion at the end, or was that but a bad trip?). At most, I would say that the book tells you to ‘think by yourself, you schmuck’. I see it as fantastic deconstruction, but so-so reconstruction. The two Bobs melt your mind, but don’t help much for healthy post-trip integration. You might disagree.

      The way out of extreme relativism in a post-truth world has to start by all agreeing on a few basic concepts again. Yes, reality might be much more malleable than we tend to think, and ‘truth’ appears a very fluid idea. But as the saying goes amonst acid-heads, “just in case, remember that cars are real.”

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  6. What a tremendous commmentary on some of the deeper philosophical entanglements of repeating RAW themes as they come up in Cosmic Trigger III. RAW took these avenues of thought seriously, obviously (the number of times he explicated in different ways on them, the “blueprint” being just one later, intriguing example), so I’m happy someone has addressed them in depth without trying to extract superficial US-political points, and beyond the “knowing” memes of “been there done that” shallow posts on social media. It’s not a “book” that’s closed or finished and not everything has been said that needs to be said on these issues, by a long way, especially (as Brian’s post alludes to) with the unprecendented evolution of media realities. More of this!

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